"Standing on the outskirts of Yokohama town, bristling with its display of modern miscellanies, I watched the sunset in your southern sea, and saw its peace and majesty among your pine-clad hills, - - with the great Fujiyama going faint against the golden horizon, like a god overcome with his own radiance, - - the music of eternity welled up through the evening silence, and I felt that the sky and the earth and the lyrics of the dawn and day fall are with the poets and idealists."
(from Sir Rabindranath Tagore's speech at Keio University)
1. Visit the Sankeien Garden in Yokohama
2. Visit Koishigawa Korakuen Garden (Mito Branch of the Tokugawa Residence)
3. Visit Rikugien or 6-Poems Garden
These were the top three items of my "bucket" list once I returned to Tokyo in 1995, as I was deeply involved in the planning and fund raising of the San Diego Japanese Friendship Garden, initiated by Wil Hippen Junior, the Honorary Japanese Consul of San Diego. This San Diego garden was named after Yokohama Sankeien, in view of the sister-city relationship between San Diego and Yokohama. Phonetically named it was the same, but our San Diego Sankeien used different Kanji characters. Whereas the Yokohama Sankeien is blessed with the massive land of 43,240 acres, the San Diego Sankeien had leased only 5 acres from the city inside the 14,000 acre Balboa Park. But when you think of the authentic Portland Japanese Garden with 5.5 acres, the size of San Diego Sankeien is fair. Having heard Consul Hippen admiring Yokohama Sankeien so much, I thought I had to see the garden for myself.
One day in 1995, my wife and I extended our trip from our Yokohama relatives to the original Sankeien close to Tokyo Bay, called Honmoku. It is here the Yokohama bay shore bends to form a chevron shape. It is a bit hilly and Commodore Perry called it Treaty Point. Today, the shore is surrounded by oil refineries and tanks by city highways. It must have been a good lookout point in the past. Here the city maintains a complex of public parks, swimming pools, museums, including Sankeien, originally owned by silk trader king Tomitaro Hara (1868-1939).
My heart was full of emotion at Sankeien. I felt I was finally back home as a Japanese. Mr. Hara had 17 historically significant buildings moved, set amidst an inner and outer garden and two lakes. These buildings were from Tokyo, Kyoto, Kamakura, etc. Ten of them have been declared Important Cultural Property, and three more are Tangible Cultural Properties. Mr. Hara was a pioneer of transplanting buildings. Today it is fashionable to move old houses to new locations. The outer garden opened in 1915 to the public, and the inner, which housed his private house and garden, was donated to the city in 1953. It is pure bliss to see that Sankeien is now fully recovered to prewar levels.
"Dear Father, A couple of days ago we came here from Tokyo. Gurudev and the others have arrived as well. We are staying with a very famous Japanese millionaire here. The sea is just in front of this house. Across the sea is America. Steep and big cliffs rise from the shoreline. These are thickly covered with pine trees. On top of the cliff, amid the rows of pine trees, is a palatial complex where we are staying. We are living royally with Gurudev. Lots of servants and maids around. All of them eager to serve us. This wealthy man, Mr. Hara, with whom we are staying, is a superb host. He is full of kindness. The common man can visit his garden at their will and organize picnics here. For them Mr. Hara provides firewood, good stoves and water. In his garden there are places where people can sit down and rest…many teahouses and temples, all are here. This Mr. Hara lets his money flow for the sake of his country’s art. All the great artists of Japan, Mr. Taikan, Mr. Shimomura Kanzan receive generous patronage from him. They receive unstinted support from him in exchange for their paintings. Mr. Hara has a great passion for art."
Tagore seemed so impressed with Kanzan's "Yoroboshi" that he wanted to take home a replica. When artist Hirokata Arai made the requested replica arranged by Mr. Hara, Tagore offered Arai a teaching position for appreciation at Visva-Bharati University in Santiniketan, popularly known as Tagore University.
Tagore's observation of the Sankeien was as follows:
"Every day about noontime, neighborhood workers started to arrive on foot at this beautiful garden, like bees gathering for honey. They strolled around the park, bewitched with sceneries of ocean and sky molten, filled their hunger with refreshment, moistened the dry heart, invigorated themselves and walked back to where they belonged. While so doing, nobody made noise, trampled down grasses, broke tree branches or flowers, scattered trashes. No fights and no drunkards. And they were ordinary workers. This totally amazed and enraptured me."
Stray birds of summer came to my window to sing and fly away.
And yellow leaves of autumn, which have no songs, flutter and fall there with a sigh.
Once we dreamt that we were strangers.
We wake up to find that we were dear to each other.
Woman, with the grace of your fingers,
you touched my things and order came out like music.
Tagore visited Japan three times but never after Japan marched on to imperialism and took a militaristic direction. I had a chance to read his elegant speeches delivered in two universities, Tokyo and Keio. I felt that he was a real prophet from his first moment of arrival and tried his best to curb Japan from entering into war. But alas, I think very few people understood his lofty proficient English.
His prolific works, available mostly online, includes poems, novels, plays, essays, diaries, national anthems of India and Bangladesh and Bengal folk songs called Baul music and we see in them his noble aphorism, sublime morals, profound religious thoughts and philosophy, call of truth and cry for peace.
The prophetic soul of the wide world dreaming of things to come
The tumult and the shouting dies;
The captains and kings depart.
"Yoroboshi" or the blind beggar monk based on the Zeami's Noh Play is one of Kanzan Shimomura's representative works produced in 1915 on a folding screen. It is currently housed in the Tokyo National Museum as an important cultural property. The replica produced by Hirokata Arai is housed at the Visva-Bharati University.