Sunday, February 28, 2010

Iguazu Falls

There are no high mountains around Iguazu Falls if you look for the source of water. There is an expansive forest plateau at the modest elevation of 1300 meters. Waters surge, however, on Rio Iguazu Superior, just before the gorges stage an inhuman performance of plunging down. This is where Argentina and Brazil meet across the River, and it is from the Brazilian side that people mostly observe the spectacular scene of cataracts (falls). Argentinians have to cross the border to share the incredible view. However, the first fall (90 meters down), exquisitely named "garganta de diable” (devil's throat) is hidden from Brazilian viewers and those that are curious have to cross the border, pay the park fee , ride on the mini-trains, the bus or boats, and finally trek on the catwalk to see this spectacle.

The trip was worth the sweat and money. Both ways you enjoy throngs of butterflies dancing. Coatis haunt the forest. The tropical birds sing. The mist and white foam boiling all around, the green of the jungle, and a 180 degree rainbow playing peekaboo. It is overpowering and sensational! One more treasure is the flower symbol of Brazil called "Ipe" hugging the bank along on the falls lookout. Returnee Okinawans transplanted it renaming "Ippei" that sounds more like the original word. What a paradise! UNESCO designated Iguacu as the top Natural Asset of Mankind. Varig Air exclaimed, "God must be a Brazilian!" The 2016 Olympics should bring world visitors en masse to Iguazu.

Early next morning I strolled inside the forest park. Strangely, it did not feel much different from walking in the the Palisade Park near New York. The air was fresh and there was the fragrance of recently mown grass. I met no one and there were no cars because this is a National Park and no passenger cars are allowed to drive in. I came to the square where the Falls hide Deep Throat Falls. I smiled and said to myself, "Only those who made the journey to the other shore could recognize what is hidden here."

Iguazu connects with Rio Parana where Brazil and Argentina encounter Paraguay. They have a landmark at the tri-country border. The Giant Itaipu Dam is located 20 kilometers upstream on Parana River, as a binational project between Brazil and Paraguay. Argentina is not involved.

I was lucky to join the first bus tour in the morning operated by the Itaipu Hydro Power Complex, after watching the introductory video. Half a dozen buses proceeded in a row, through gates manually operated by guards, and onto the spillway and the dam. The dam is 196 meters high and 8 kilometers (inclusive of rockfill ) wide. The man-made Itaipu lake, twice as big as Biwa Lake in Japan, spreads out on our left. I crossed to Paraguay where the border runs inside the Itaipu ground. The lake and the surrounding forests are monitored constantly with ecological surveys and maintenance. The Itaipu spillway can handle a flow 40 times greater than the average of the Iguazu Falls. WOW! The guide told us that Itaipu means "the rock that sings." The Itaipu generating capacity is 12.6 M kw/hr (40 times bigger than that of Kurobe, Japan) and is second only to the Three Gorges Dam in the world. I rediscovered that the Parana River is as long as the Missouri or the Mississippi Rivers in the U.S.

Thursday, February 11, 2010

Wanderer of Formosa (福爾摩沙漫遊者)

Sun Moon Lake

My first trip to Taiwan was a gift given by my son, Kirk, for my retirement. Actually, it was made possible by cashing in miles from the airline I most favored. My son spiced it up by arranging a Taiwanese guide for me who spoke excellent Japanese. My son spoke to his Taiwanese colleague at work in San Diego and surprisingly it was his colleague's father, a recently retired UN worker, who helped me tremendously - starting with meeting me at the airport, traveling downtown together by bus, and walking to the reserved hotel close to Shin Guang Mitsukoshi Department Store. I have made trips to Taiwan almost 10 times since then, and I always stay at the same hotel.

I appreciated his discretion not to accompany me constantly. He suggested minimum necessary tips and gave me an overall orientation. At the University of Taiwan, he politely let me walk around the campus and study at the library. It was the day before the MRT subway systems came online. The crazy bus trip to Gugon Palace became a memorable story when I experienced a frantic moment boarding the bus. He and his wife were excellent hosts. The welcoming dinner was at Hai Pa Wang, and the farewell dinner was at Shinyeh, all serving local Taiwanese dishes. I fondly remember their warm hospitality on my first visit.

My second visit was to Fenyuang, north of Taichung. I visited my first e-mail friend, who is a dentist. It was my first visit to Taiwan's Toastmasters Club there and I was thrilled to see a club which boasts more than 50 members. They met in the basement of the hotel where I was staying. I am grateful to him for the early morning ride from Fenyuang to the Taoyuan International Airport, as I had to catch an early flight to the U.S.

On my third visit, my wife accompanied me to Taipei where we met Michelle Chen, who was a contestant speaker at the Toastmasters Convention. I never imagined Michelle had such a passion for traveling abroad like I did. My interest in Czech Republic was inspired by her trip to Pardubice. I got a lot of information from hearing about her trip there.

It rained hard in Taipei the day the convention was over. A gentleman with whom we sat together noticed us and instructed his chauffeur to take us to our hotel. We sent him our letter of appreciation. We never saw him again at subsequent conventions.

On my fourth trip, I was in Taichung for the Toastmasters Convention at Tunghai University with another Japanese delegation staying at the University dorm. It was the Taichung Central Japanese Club who offered to take us sightseeing to their historic Lukang Port. Lukang was the trade port of deer skins during the Dutch colonial days where the terms e-kang and teng-kang originated, referring to north/south of the port respectively. Dennis Chen, the Club founder led a fleet of cars with volunteer drivers one full day enabling us to tour Lukang's Longshan temple and see Maz, the Goddess of the Sea.

Talking to Dennis, I learned that he planned to visit Sun-Moon Lake the following day accompanying his New York physician friend and his wife and I made a bold request to get a one way ride if at all possible. He called me later, granting it as if it was my once-in-a-lifetime wish. I wanted to see the after-effects of the Jiji Earthquake that hit in 1999. I sent a small check as a contribution to the victims through the Fenyuang physician friend.

The view of the Jiji Mountains was tragic, but the lake resort had recovered. I walked up the hill to see the famous tea farms. Basking in the twilight I made a deal with a female captain and chartered a boat to cross Sun-Moon Lake.

Dennis Chen had stopped at the Muh Sheng Museum of Entomology in Puli on our way to the Lake and that gave me a good reason to return at a later date to the museum to write about the Chestnut Tiger, the butterfly that migrates between Taiwan and Japan. I met Meili Chang, while on the trip to Lukang and was struck by the beautiful Japanese she spoke. Later I learned that she had studied at the University of Kyoto.

On the fifth trip, again after the Toastmaster Convention, I traveled by bus for 3-days to Hsitou, deep inside the Nantou´s valleys, with my friend I met in Yangmingshan. He was a genuine Taiwan Alpinist, who walked mountain ranges above 1000 meters from far north to south in Taiwan. His adventure was featured in one of the southern local newspapers. I asked him for a copy, but he didn't keep any. He took me to Yangmingshan Library, or the Chiang Kai-shek Summer Resort. I met his family, his three granddaughters in Yunhe and through his granddaughters I got my message across to him. The granddaughters are all away from home. The eldest granddaugher got a PhD in Germany in biology and lives in Chiba, Japan until March this year (I'm asking her to visit us before her departure). The second granddaughter is in the UK studying fashion. The third granddaughter is in her senior year in Chenkong University in Tainan.

The experimental forest of Hsitou was very pretty with exotic bamboos and many therapeutic hiking trails. I saw a number of divine trees, 1000 years old. I inquired as to how the trails were kept so serenely and no rubbish anywhere. He simply said "Taiwan is a small country, so people empower themselves."

On the sixth visit, Tainan Chenkong University was the Convention venue. My wife and I flew to Kaohsiung and took a train ride to Tainan. DTM Y. H. Chen, the legendary southern Toastmaster leader, accompanied us to Tainan. Before moving on to Tainan, he and his Kaohsiung Toastmaster member gave us a tour to visit Cheng Ching Lake, a man-made water reservoir turned beautiful lake (about 300 hectares) and Tsuo Ying Lotus Pond and the nearby Confucius Temple. Cheng Ching Lake was undergoing quite a renovation and the lake was half dry when we visited. That night, the three of us returned to Kaohsiung and wandered through the famous night food stands to enjoy "eel shao-chi (small bite)".On the 7th trip, Dr. Kobayashi of Shimonoseki University joined us and the Japanese delegation to attend the Kaohsiung Toastmasters Convention and immediately afterwards, we visited Chi Mei Corp private art museum in Baoan Industrial Quarters near Tainan and Usanto Reservoir irrigation dam built by Yoichi Hachida (1886-1942). We owe a debt of gratitude to DTM Chen's advice regarding the visit and for making the museum reservations for us.For the visit to Chi Mei Corp, we prepared by reading Founder Wen-Lung Hsu 's book. Chi Mei is the No. l producer of ABS, plastics in the world and their main plant and research lab site are located near Tainan. We arrived before the museum opened and waited at the restaurant service desk. Then the morning meeting started, Japanese style, as employees lined up chanting something. I sneaked a quick snapshot (see the photo). The museum must be a jewel among the privately owned. Since photos are prohibited inside the museum, please visit their official Web site for images.Yoichi Hachida, a native Kanazawan, arrived in Taiwan upon his graduation from the University of Tokyo as a civil engineer. He tackled irrigation problems immediately and was revered by his lifelong dedication to complete Usanto Dam, as well as the Chianan Canal. Unfortunately, he was drafted by the Japanese Army and on his voyage to the Philippines, his boat was sunk by allied subs. His wife killed herself in the dam discharge leaving a note that she preferred to be with her husband rather than return to Japan.Daja near Taichung, was the Convention site on my 8th trip in 2007. I met the Taichung Central club members again, including Meili Chang and Melody Hou, who took me to Lukang years ago. They kindly offered to take us on a trip to Mu Sheng Museum in Puli and I fulfilled a wish I had for years. Melody said Mu Sheng was already there when his father was a small boy.

The latest Yangmingshan Convention was my 9th trip to Taiwan. I thought I made ten trips but not quite. I could not have made these trips without the help of many, many friends mentioned above. A real Big Salute and thank you! All of you have motivated me to return to Taiwan. I thank my Kitakyushu Toastmaster colleague Masaki Oshiumi who joined me on my trips to Taiwan these last few times. His son-in-law was stationed in a plant in Touliu and he visited the family there. He is very interested in Taiwan and is a great fellow traveler.

So, I am now looking forward to my double digit trip. Hallelujah!

Wednesday, February 3, 2010

Ju Ming Sculpture Garden

- This article is dedicated to Michelle Chen, her parents, her four sisters - Li Hua, Shu Xia, Li Ying and Lili (in order of seniority) and their respective husbands (see photo at bottom of the page).

When Michelle and friends visited central Japan, I joined their off-road Awajishima expedition to see a temple of the Shingon Sect of Buddhism built under a pool of water lilies by Architect Tadao Ando. I was afraid they might have troubles finding the small temple. While we were on the topic of off-road traveling, I casually mentioned to Michelle that I had visited Isamu Noguchi's Stone Garden in Mure, in Shikoku, across the Naruto strait from Awajishima. Noguchi was very interested in the stones from nearby Gokenzan (Mt. Five Swords) quarry, and he used to stay at his studio provided by his masonry friend whenever he headed for Japan. The venue was hard to find, but well worth the trouble to find it.

Her eyes lit up. She asked me if I had visited Ju Ming Museum in Chinshan. She said that Ju Ming (1938-) is Taiwan's most active contemporary sculptor and suggested that on my next trip to Taipei, I should visit Ju Ming's Garden. By public transportation, it takes more than two hours one way from Taipei. Chinshan is located on the north shore near Keelung, but hidden inside the mountains. (I saw a beautiful monastery in the distance from Ju Ming's Garden. According to Google, it was the Dharma Drum Mountain, the holy religious temple.)

So on a sunny, warm day in December 2005, Michelle and her sisters' families escorted me in their car through Yangmingshan, treated me to a gourmet lunch in downtown Chinshan where Michelle's other sister and her husband have a pharmacy shop, and gave me a complete tour of Ju Ming's Garden.

Ju Ming Museum opened in September 1999 after 12 years of planning by Ju Ming and his family including everything from site selection, grading, park and landscape layout, building schemes, fountain and pond setup, storage area, ...etc. Ju Ming's vision and mission is to bring a lot of fun, entertainment / education to children, as well as adults. It doesn't have many moving vehicles/components, but visitors get that playful feeling, similar to visiting Disneyland in California.

The park sits on 26 acres (about 10 hectares) of sunny terrain, secluded from the main road. The land in Taipei, as in Japan, is at a very high cost for choice property. Chinshan was quite a visionary to develop this entertainment resort and as a result, he has became a cultural icon.

A map designates 10 specific locations, including the exhibition hall, service and education center, Ju Ming's workshop, Taiwan and World Artists' corners. I spent most of my time in the Tai Chi, Human and Sports Squares admiring Ju Ming's bronze and wood sculptures. The exhibits are classified into three categories - Tai Chi Series, Living World Series and Nativity Series.
Tai Chi Square is the main attraction and the largest area of the park. Displayed there are gigantic masses of bronze, rough and wild, mostly two fighters engaged in powerful motions of crouching, kicking, kneeling and striking. I should note here that many Tai Chi figures of Ju Ming were shipped to the U.S., Europe, Japan, China and Singapore. Mt. Hakone in Japan has an open air sculpture garden where visitors can see Ju Ming's Tai Chi sculpture.











The Living World Series are wood or metal sculptures. Life-sized figures line the path where you walk. There are soldiers, dressed in camouflage combat attire, sailors on roll call on deck, men/women from all corners of the world, painted in lively colors. In the Sports Square are athletes, gymnasts, pilots, parachutists, bicyclists, motorists all frozen in mid-motion. You eventually come upon a dozen bronze men, clad in raincoats some with umbrellas. It invites you to imagine playing hide and seek in this maze of sculptures. The Nativity Series includes farmers, buffaloes, and local folk art.
Ju Ming started his sculptor career as a young apprentice wood carver in Sanyi (Miaoli), south of Taipei, known to locals as the Taiwan craft cradle. He made his name as a Buddhist image carver, being called the return of Enku, the old Chinese Master Carver. Ju Ming practiced Tai Chi boxing to build up his physical strength when he was young. This led to his unique and successful Tai Chi Series.

Ju Ming won the 18th Fukuoka Asian Culture Prize in 2007 and I attended the ceremony. He came with his son. However, I was unable to listen to his lecture as attendance was limited by drawing. He still works hard and recently added the world of Scientists as well as a Swimmers section he called Swan Lake. Ju Ming used Styrofoam as additional material for Scientists and Swimmers. His initial models were in fact, made from Styrofoam, covered with clay on the surface, and then molded through lost-wax casting. After undergoing these processes, the sculptures were further burnished to express a young girl's delicate skin and graceful body curves. I hope some day to visit again to see the new additions.

Here are some Ju Ming's philosophic quotes:

1) Art must be cultivated, not studied.

2) You have to have a dialogue with the material in your hands. You have to quiet your mind and wait for the words to speak to you.

3) Someone being skilled at woodcarving is not necessarily an artist. Nowadays everything is called art: sitting down, wearing clothes and so on. On a spiritual and intellectual level, art must be practiced like a Buddha practices. A Buddha begins as a wondering monk, cultivates
himself, becomes wiser and achieves enlightenment.

The Chen Sisters

Wednesday, January 13, 2010

Ximen Elementary School Soon To Reach Centennial Anniversary!

My recent trip to Taiwan yielded many harvests, adding more Toastmasters friends and contacting Yangmingshan National Park volunteer interpreters. I wrote that I joined the choir during the Toastmasters Conference Night. While I was waiting in the anteroom, I met a group of female sword dancers clad in men's "kendogi and hakama" (part of the Japanese fencing attire) with their sleeves braced up on the back. We rarely see them in Japan these days, so I was struck with the gallant outfits. One of them spoke excellent Japanese and I gathered she was a teacher or iemoto, sent from the headmaster of the dancing school.

Her name is Janifer Kuo, a Taiwanese, President of the Japanese Toastmasters in Taipei called Taiheiyo, the Pacific. I was unable to see their performance on stage as our choir immediately followed them, but I saw the photographs after the show. After the Conference, Janifer sent us invitations to a special Chinese dinner, representing volunteers from a mix of two Japanese clubs, Pacific and Peace; noticing our short stay and probably with less than a week's notice to their members. About a dozen Toastmasters gathered for us, taking time out of their busy schedules. It was a wonderful meeting getting to know them on a more personal basis as self-introductions rolled around the table.

Janifer read selected lines of articles from a thick book entitled Journey Back Through Childhood Memories but it took me some time to recognize that it was the book she edited about 5 years ago for the reunion of Ximen Elementary School Japanese graduates on the 90th anniversary of the school being established. This school was founded in l915 as Kotobuki Elementary during the Japanese colonial days and since been renamed Ximen Elementary after World War II.

In 2005, Janifer, helped organize the welcome reception of the 40 graduates from Japan as a teacher at Ximen Elementary School. The highlight of the Anniversary was the tearful reunion of classmates, all reaching the age of three scores and ten, who had been separated between Japan and Taiwan. Some graduates had visited before, but for the majority of Japanese, this was their first return trip to their mother school.


Standing on the school playground, they were reminiscing among the mangos, bread trees, ginkgo nut trees, as it was 60 years ago, and they were impressed, being told that the school did everything to revive the trees. They were particularly overjoyed to see the swimming pool. As the war came to a close, the money they saved for a school excursion to Japan was instead used to construct the swimming pool. The planned travel by ocean was canceled fearing Allied's submarine attacks. Janifer passed out writing pads (Japanese Genkoshi) to the 40 Japanese alumni to scribble down their thoughts while they made their nostalgic tours to Tanshui and Wurai and she was glad everyone complied with her request. She not only reproduced in the book the Genkoshi as written with photos of the writers, but she translated everything into Chinese, side by side. It was a wonderful memento for the Japanese alumni who so dearly remembered their childhood in Ximen.

She added historical school photos including those of the principal and faculty, school flags and songs, and even neighborhood news, including the symbolic Ximen Hong Lou story. Ximen Elementary School is just a couple of blocks away from Ximen Hong Lou. I salute Janifer for her passion and energy for bridging the distance of Ximen Elementary alumni living apart in Taiwan and Japan.

They agreed to target 2015 for the 100th Anniversary in Taiwan. However, they hold reunions whenever they get a chance. They have now adopted the club name "Evergreen” for themselves. They held a second reunion in 2008 in Taipei and a third one in 2009 in Tokyo with Janifer playing a major role.

The Japanese alumni, whenever heading for Taiwan, eagerly cooperated as virtual "carrier" with the so-called "Flying Wheels" program, numbering more than 100 to date. They agreed to fly to Taiwan used and retired wheelchairs, for the aged or physically challenged, which were donated by a Japanese non-profit organization. There, the chairs will be rebuilt or refurbished for reuse by Taiwanese in need. It was a friendly gesture by the Japanese alumni who served as good-will ambassadors to help the physically challenged in Taiwan.

Long live, Evergreeners, to celebrate their 100th Reunion!

Thursday, December 31, 2009

Ximen (West Gate) Hong Lou, A Surviving Theater

When you surface from the Taiwan subway at Ximen Station, you catch a glimpse across the busy intersection of people and car traffic of a chic and stodgy brick building. Modestly illuminated at night, it invited our inquisitive attention and we walked in to see what was inside.

Ximen is compared and likened to Shinjuku or Harajuku in Tokyo where young people visit boutique shops, cafes and restaurants. It's a place I felt nostalgia and I see why. It was a Japanese town before World War II. The historic temple Lonshanshi is close, where the area named Ban-kah, the name of the dugout canoes still kept, but in different Chinese characters "Wanhua" (pronounced Manka in Japanese).

Michelle Chen, our guide of the night, told us that this Hong Lou Theater was occupied by Guomindang soldiers. The building, decayed and neglected for a long time was restored recently as one of the historic buildings designated by the country. The brochure we picked up explained that it was built originally as a public health station, but later became the Taipei City Market, which thrived as an abundant commodity supply center. It became a show window of Taipei commerce and distribution, and the Japanese government officials used to pay a visit to observe how things were going down there.

Aptly nicknamed Octagon Hall because of its shape, the concept was reportedly from the art of divination, I Ching (Book Of Changes). The area was a kind of marsh where dead bodies were found on the roads. So, many prayers are placed in the octagonal design.

The architect was a man named Jyuro Kondo, one of the famous Japanese quartet, who worked at the Building and Repair Section of the Colonial Government. The four architects were Nagano, Moriyama, Ide and Kondo. Nagano was responsible for today's Presidential Office, Moriyama for today's Audit Office, and Ide for the Judicial Office and Educational Hall, the latter is still being used for all kinds of Musical events near the Ximen subway station as Zhongshan Hall. Kondo was responsible also for the old hospital of Taipei Imperial University. The Taiwanese probably had mixed feelings when they dealt with the Japanese architecture from the colonial days. It was just during the past 10 years that the Taiwan Government authorized the designation of those building as historical buildings and funded their restoration efforts.

Zhongshan Hall designed by Ide

A common style shared between the four architects are Gothic or baroque design, accents of grandeur and combined use of red bricks and white stones for horizontal belts. All these elements of style were apparently influenced by an architect named Kingo Tatsuno, their teacher at the University of Tokyo, whose representative work is the Tokyo Station Building.

Currently, the first floor of the Hong Lou Theater houses not only a cafe but also a place where traditional toys, artifacts, and photographs are exhibited and sold. The second floor is an open theater with a big stage / screen, used for small concerts, operas, and perhaps movies. We dropped into the theater a couple of times on the way to and from Heroes Hotel where we stayed. The hotel is within walking distance from this Ximen Market.

I searched the Internet for more information about Jyuro Kondo. He returned to Japan from Taiwan and opened an architectural firm. He built one hospital, called Do-Ai Hospital, in Sumida Ward. However, it was demolished 15 years ago. He must have consumed all his energy in Taiwan and had little left upon his return.

Tuesday, December 22, 2009

Akatonbo Revisited

Lead by Sherry Li's baton, I had the honor to sing the “Akatonbo” song in Japanese and Chinese with the two dozen members of the Taiwan Toastmasters Chorus group at the welcoming reception of the D67 Fall Convention Dinner before an audience of one thousand. Sherry wrote that she chose “Akatonbo” simply because of its beautiful melody. “Akatonbo” is also a song about a dear childhood relationship. It can be seen as a metaphor to describe the connections between Taiwan and Japan. “Akatonbo” has many versions of translations in Chinese, but I like the one picked by Sherry. It was equally beautiful even in Chinese to wonder which came first as the original.

It goes as follows:

xiang xie zhao hong qingting zai shuibien wufei
yin wo xiangqi duoshao nianqian nanwang de tongnian

This drove me to look into the history about how the song came to be written - researching further on what I wrote in a previous entry that referred to the poet Rofu Miki (1889-1964) and composer Kosaku Yamada (1886-1965).

Yamada composed 76 songs for Miki, of which, “Nobara” (wild rose) came in the 1910s and “Akatonbo” came in the l920s. Yamada was in Germany from 1910 to 1913 and his “Butterfly" song melody was from a Spanish ballad. Yamada composed for another famous poet, Hakushu Kitahara (1885-1942) after Miki, producing beautiful “Karatachi no Hana” (trifoliate orange tree) and “Konomichi” (I remember this road ). Yamada composed also many school songs for universities and high schools. I noticed he composed one for Taipei Third Junior High.

Yamada's life was under a cloud upon his return from Germany. He went to the Shonan (near Kamakura) area, and commuted to Tokyo by train. It is reported that he composed "Akatonbo" while commuting between Shonan and Tokyo. As Franz Shubert (1797-1828) said, "Grief and misforturne is the mother of fine music." Common between Yamada and Miki was the influence of Christianity. Yamada's father was a minister and his brother-in-law was Edward Gauntlet (1868-1965), also a minister and educator. Yamada was raised at home listening to hymns. Miki became an ardent Christian as a teacher in the Trappist Monastery in Hokkaido. His “Akatonbo” poem was composed there in 1921.

Rofu was an ill-fated person separated from his mother at the age of seven. According to his autobiography, one morning he went to school after being sent off by his mother, but when he returned home, she was gone. He was not told in detail why his mother had left. But she was apparently grieving about her separation from her son. It is easy to imagine how deep Rofu's grief was. Since that day, Rofu was brought up by his grandfather.

The name of the poem is “Akatonbo”, but the poem is filled with his deep affection directed toward his mother. Noriko Wada, author of the "Akatonbo Scenery" analyzes the poem by sections and the poet's age. Rofu was 1-2 years old as he was on the back of mother (first paragraph). 3-5 year old Rofu is picking mulberries in the backyard (second paragraph). Around 10 years old Rofu's maid (nanny) left the house to marry (third paragraph). Another abandonment. Of course, he loved his maid but it did not compare to his affection for his mother. Rofu had to be mentally strong and independent.

Rofu in Hokkaido watching an Akatonbo at the end of the pole and reminiscing his hometown. Noriko Wada pointed out that there was a minute change between the first version and the second and final version of “Akatonbo” within a period of 3-4 months. The word Akatonbo appeared in the first paragraph, instead of the mountain, a very delicate change, but important, as per Noriko Wada.

In Taiwan, “Akatonbo” was immediately followed by “Amazing Grace” by coincidence, but to me, it was the most wonderful pairing that Sherry picked out.

Monday, December 14, 2009

Taiwan Toastmasters Choir

This entry is dedicated to the D67 Toastmasters choir, especially to the wonderful women singer group.

Taiwan Toastmasters Choir (Sherry Li - back row, far right)

The Taiwan (District 67) Toastmasters established their choir group in mid-2009. I saw the names of Jorie Wu, George Yen, Marian Hsiao, Athena Lien, previous District Governors, my friend Dr. Erick Suen, all outstanding DTMs. Sherry is an excellent organizer and motivator. It was at the Japan Toastmasters (District 76) Hiroshima Spring Convention 2008 that Jorie Wu, George Yen and Sherry Li attended from Taiwan and ad-hoc Japanese/Taiwanese chorus group sang "Hsiaocheng Gushi" in Chinese, with the Chinese flute player (Emily Yiu, President of Success Toastmasters Club).

I heard the D67 chorus repertoire which included "Ode to Joy", "O Sole Mio", "Do You Hear Me", "Fireflies", etc. We just envied their enthusiasm and dedication. It reflected the success of the 2008 Joint Anniversary Party of Kumamoto Toastmasters Club’s 20th and Success Toastmasters Club’s 10th anniversary in October, which featured a three part "Ode to Joy" sung in German, Taiwanese, and Japanese (alto by Lydia and Sherry, and tenor Masaki Oshiumi - my fellow Toastmaster of Kitakyushu). Last year I was unable to make it.

It was my adventitious challenge to jump into the chorus without proper rehearsal and training. It was one of the entertainment programs for the dinner show for fellow Taiwan Toastmasters and I had belittled thinking that all the performers were amateurs. I had to admit that my mind set was all wrong. They were all well trained for the day and they had met, I'm sure, a number of times for intense rehearsals. I committed an intrusion as an enthusiastic amateur.

I knew I had to sing "Akatombo" (red dragonfly) in Japanese and Chinese. Sherry sent me and Masaki Chinese songs in MP3 to practice. Then another song was added: "Amazing Grace" - a hymn in English, Chinese and Japanese. I am not a Christian. Why should I have to sing it? Listening to the MP3 sent along by Sherry, I almost gave up. It was so high toned that I could not reach the required voice range. A good excuse. I e-mailed Sherry that I would pass on the "Amazing Grace" song. Sherry, however, assured me that I would go into the bass group and I should love singing in the male section. I tried desperately to convince her, but I knew her answer beforehand. I found later that Masaki visited a Baptist church in Kitakyushu and the pastor strongly recommended "Amazing Grace". It was not Sherry's selection.

Masaki and I were invited to Sherry's home the night we arrived in Taipei. Sherry's brother, Jimmy, cooked a wonderful Thanksgiving dinner for the male chorus group which gathered that evening for practice. It was a great Taiwan Thanksgiving dinner. (Thinking to myself, I enjoyed my friend Adele's annual Dutch Thanksgiving dinner for almost 20 years in Los Angeles while I was in the U.S. and miss it since her death about three years ago.)

Admiringly, Sherry has a special knack to train singers hard but never offensively. I like her rigorous way and style of production. I forgot about time passing and it was almost 11 o'clock when we returned to the hotel. I slept like a log.

The following day was our first stage performance. We were taken to the southern mountain range of Taipei, close to Wulai resort and we sang Akatombo and Amazing Grace for the Birthday Party of centenarians at the Northern Nursing Home in Shintien City. We had a few men on this occasion and it was a good dry run for the official choir on the following day's ritual performance. Sherry was busy with another dancing program. We neglected to ask how we did. I'm still not sure if I like "Amazing Grace". It was after the second performance of singing "Amazing Grace" among the 10 men Toastmasters singers at Yanmingshan, including George Yen, Erick Suen, Ron Chen, Bill Wan, Frank Yeh and Edward Chen that I finally decided that I love it! Thank you, Sherry, for your patience and thank you, to our great accompanists, DTM Helen Chen and Yi-hua Li, for playing violin and piano respectively at Yanmingshan.